"這片其實(shí)換個(gè)角度，四個(gè)人四種性格有笑料有驚險(xiǎn)的逃出生天，就是一部主流片，

喜歡這種簡(jiǎn)單粗暴充滿肌肉的爽劇 joss的身材斯哈斯哈????；泰劇也在與時(shí)俱進(jìn) 最后主題升華到free women worldwide好評(píng)；和女主相比Tina才是事業(yè)批女強(qiáng)人吧 干一行成一行 女主全靠別人和幸運(yùn)

A documentary successes through finding a dramatic narrative in real life. They find it. And they exaggerate it. But doesn't exaggeration go against the nature of documentary?

電影都不敢這么寫(xiě)，只能說(shuō)現(xiàn)實(shí)狠人真的超出想象

實(shí)用！

村上春樹(shù)的小說(shuō)本來(lái)就很隱晦，動(dòng)畫(huà)把具象進(jìn)一步抽象化，觀感有點(diǎn)驚悚，青蛙和貓，殊途同歸?！綛JIFF13th/Day2/Scene7·保利天安門(mén)】